{"id":4306,"date":"2023-11-02T12:32:42","date_gmt":"2023-11-02T11:32:42","guid":{"rendered":"https:\/\/viennabase.at\/?p=4306"},"modified":"2023-11-02T12:40:58","modified_gmt":"2023-11-02T11:40:58","slug":"4306-2","status":"publish","type":"post","link":"https:\/\/viennabase.at\/en\/4306-2\/","title":{"rendered":"G\u00f6schl sculpture in Viennbase19 appears in new splendour"},"content":{"rendered":"

Sculpture by Roland Goeschl (1932 - 2016)<\/b><\/p>

Austrian sculptor and member of the Vienna Secession<\/i><\/p>

Roland Goeschl is an important representative of the Austrian avant-garde after 1945. He increased the specific geometry of its objects with the primary colors of the Bauhaus era Red, Blue, Yellow. By the nuanced staggered, strictly geometric principles of choreography of repeating the same basic forms, the objects seem to be in constant motion. Roland Goeschl gets the universe of evolutionary game types with simple visual formulas to the point. <\/p> <\/p>\n\n\n\n

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Sculpture by Roland Goeschl (1932 - 2016)\nAustrian sculptor and member of the Vienna Secession\nRoland Goeschl is an important representative of the Austrian avant-garde after 1945. He increased the specific geometry of its objects with the primary colors of the Bauhaus era Red, Blue, Yellow. By the nuanced staggered, strictly geometric principles of choreography of repeating the same basic forms, the objects seem to be in<\/p>","protected":false},"author":7,"featured_media":4311,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4306","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein"],"_links":{"self":[{"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/posts\/4306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/comments?post=4306"}],"version-history":[{"count":4,"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/posts\/4306\/revisions"}],"predecessor-version":[{"id":4312,"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/posts\/4306\/revisions\/4312"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/media\/4311"}],"wp:attachment":[{"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/media?parent=4306"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/categories?post=4306"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/tags?post=4306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}