{"id":3653,"date":"2023-05-30T09:24:53","date_gmt":"2023-05-30T07:24:53","guid":{"rendered":"https:\/\/viennabase.at\/?p=3653"},"modified":"2023-05-30T10:51:16","modified_gmt":"2023-05-30T08:51:16","slug":"die-80er-jahre-des-aufbruchs-in-der-viennabase","status":"publish","type":"post","link":"https:\/\/viennabase.at\/en\/die-80er-jahre-des-aufbruchs-in-der-viennabase\/","title":{"rendered":"The 80s - years of departure at the Viennabase"},"content":{"rendered":"

The moving founding period was followed by years of change. Home life in the former Haus D\u00f6bling was characterised by discussions about home prices, home rules and co-determination rights. The long-cherished wish for new common rooms was fulfilled. In 1986, the club room opened its doors, which quickly became the best-known communication centre within the home. There were also numerous cultural highlights: In June 1986, cabaret artist Josef Hader, H.C. Artmann and the Bluespumpn performed as part of the culture week organised by the residents. In 1987 and 1988, well-known names like Ostbahnkurti, Boris Bukowski and Konstantin Wecker followed. The festivals of lights was also a popular event, which was known and loved beyond the borders of the student dormitory and district. Were you by chance present at one of these events?<\/p>\n\n\n\n

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The moving founding period was followed by years of change. Home life in the former Haus D\u00f6bling was characterised by discussions about home prices, home rules and co-determination rights. The long-cherished wish for new common rooms was fulfilled. In 1986, the club room opened its doors, which quickly became the best-known communication centre within the home. There were also numerous cultural highlights: In<\/p>","protected":false},"author":7,"featured_media":3655,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3653","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein"],"_links":{"self":[{"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/posts\/3653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/comments?post=3653"}],"version-history":[{"count":6,"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/posts\/3653\/revisions"}],"predecessor-version":[{"id":3667,"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/posts\/3653\/revisions\/3667"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/media\/3655"}],"wp:attachment":[{"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/media?parent=3653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/categories?post=3653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/viennabase.at\/en\/wp-json\/wp\/v2\/tags?post=3653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}